Art

A new body of work by Huidi Xiang looks to Disney’s classic Cinderella to resurface and honor the unexamined labor of the princess’ eager-to-please critter friends—simultaneously acknowledging their historical real-world equivalents. 

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Six empty dresses appear to float on their own at a Dimes Square gallery in New York. Indeed, Brandon Morris’ spectral vision is the natural outcome of his practical skills in fashion and his otherworldly aspirations as a fine artist.

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Faith Wilding’s retrospective at Anat Ebgi New York honors the pioneering artist’s 50 years of dedication to life, women, and nature.

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Bulgari celebrates its new 2025 snake-like designs with the unveiling of the Serpentine’s first exhibition in Shanghai. 

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Over two decades ago, Belgian artist Luc Tuymans opened a door for artists in China with his monograph. Now, one of the country’s most influential artists, he debuts his first comprehensive survey in Beijing.

Mariam Ghani makes sense of loss in an increasingly tumultuous landscape. Her new short film and sculptures offer alternative structures to hold grief.

Rick Lowe’s practice is religious: rooted in the world around him, enriching and restorative. When it comes to his paintings and community-oriented projects, art is a resource and a way forward.

The world is big, unfathomably so. This much Alicja Kwade knows. The rest, her work seems to posit, is ineffable—a stellar and atomic blip in time.

Creative Time addresses our most pertinent political and social concerns, amplifying them like a megaphone through monumental interventions that overtake vacant buildings, city streets, beaches, buses, and everywhere in between. At its core are its people who have changed the world for the past 50 years and counting.

Is the best art conceived in solitude? As Light and Space legend Larry Bell, who moved to the sparse Southwest from LA, reflects with the prolific Joan Jonas, a frequent traveler to the far-flung island of Cape Breton, Nova Scotia, oftentimes the answer is yes.

For the last six decades and counting, Paul McCarthy has danced a fine line between provocation and play. Three concurrent exhibitions offer entry points to his genre-less practice, which spans video, performance, sculpture, drawings, and more. 

With work displayed across seven galleries and museums worldwide, including a new, bicoastal solo show in New York and Los Angeles, 82-year-old Pippa Garner is still the moment.

Martina Cox’s art is built around exploring what is beneath the folds of garments and outmoded craft practices. For her exhibition at the New York Estonian House with Alyssa Davis Gallery, she turns this inside out.

At OCDChinatown, Devan Diaz’s “Bad Girls” is a pink altar to transsexual potency.

Beeple flew under the radar of the art world until a multi-million dollar NFT sale put him on the map. His first institutional solo show at China’s Deji Art Museum envisions the infinite paths forward for the world as it confronts technological acceleration—be they fantastical, pragmatic, or outright dystopic.

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At Xavier Hufkens in Brussels, David Altmejd taps into his subconscious with new sculptures and drawings that are many things at once.

The American meal torn apart into a jigsaw. A clock whose hands never quite leave you at peace. The distant and disparate in-between. These eight contemporary artists from diverse disciplines and backgrounds warp reality to radical extremes, forcing us to reconsider ourselves and our daily experiences.

A new body of work by photographer Jesse Gouveia revisits childhood memories of fort-building while considering the poignant nature of time’s passage.

 In Los Angeles, William Eggleston presents an exhibition of dye-transfer prints––the last of their kind.

In her West Coast debut, Sabine Moritz enters new territory with works that include human forms, yet at the heart of it all is her love for nature.

Legendary artist Lee Bul's latest project in New York City transforms the iconic facade of The Metropolitan Museum of Art—marking the museum's new collaboration with Genesis.

Andrea Chung’s mid-career retrospective at MOCA North Miami interrogates the history of colonialism through a wide array of angles and mediums—including a sugar-based installation with a disturbing hidden message.

Samara Golden’s body of water made of hand-made objects is both claustrophobic and expansive. At the Nasher Sculpture Center in Dallas, Texas, it begs to be seen, and sat with, in person.

Ada Friedman marches into mysterious territories, guided by the words of the late poet Helen Adam.