Fashion

Fleshy eggplant, a recovered Rolex, and the breadcrumbs of a forgotten night—what goes bump by the light of the moon often surprises when revealed the morning after.

Channeling its iconic house codes, Chanel’s new product—at once a necklace, watch, and pair of headphones—is the city dweller’s new Swiss Army knife.

Issey Miyake Homme Plissé releases the first wave of items from its new collection with Ronan Bouroullec, a harmonious blend of billowy silhouettes and gestural strokes.

‍

We realize the magic of making something out of nothing when we’re young. Tire swings spiral beneath large oak trees, and scraps of fabric and jewel-toned yarn billow into ready-made couture gowns. As time passes by and materials fade into well-worn memories, this world-building persists, appearing when and where we least expect it.

The fashion house’s everyday approach to luxury spills out into fragrances that can be lathered on, spritzed atop, bathed in—or all of the above.

Mass produced or hand crafted, decorative or practical, an object always has a subliminal use. Pens to write, clothes to wear, books to read. We see a shape and innately know what to do with it. But what if we didn’t? What if, for a moment, we willed ourselves to forget—and instead of utility, we saw limitless possibility?

Inspired by their dual practices in observance—of shapes, of textures, of objects—Andrés Jaña and Javier Irigoyen examine the temporality of objects and the rhythms and expressions they reveal when given the space to be.

Prized possessions do not arrive often, but when they do, they stay long, inhabiting the warm corners of our lives. These are the materials that distinguish our environments, the poetic flairs that find their way into descriptions of our personhood. She makes her coffee at home, eats an egg from a silver cup, pins her singular style on shoes and bags, and treasures the tangible: well-crafted silverware, china, objects for memories to coalesce.

Inspired by the opulence and glamor of New York’s freewheeling ‘70s, the Chloé’s Spring/Summer 2025 collection channels both the muse and the maker.

Paloma Elsesser is an everywoman in a monomyth. The supermodel has spent her hot ascent to fame atop a pedestal built, in many ways, to reduce its subject to material matter. Her resilience and humanity pervades. This fascination with the charged nature of physicality reverberates in the work of Ser Serpas, the artist who choreographs found objects into animated, poetic, and dystopian scenes.

‍

The house reopened its Washington, D.C. location last week with designs inspired by Gabrielle Chanel’s Paris home and the founder’s love of the arts

Banana Republic’s 2024 Summer collection is rooted in optimistic escapism. Starring American model Taylor Hill, the brand’s latest campaign transports to sun-splashed spots in Mérida, Mexico.

The finalists of this year’s LVMH prize include a diverse range of emerging designers united by sustainability, ethical practices, and an emphasis on womenswear.

Precious metals shimmer as hands dance across a long wooden dining room table to embrace, pass plates, raise toasts, emote. A familiar symphony of family heirlooms, tokens of love, and pendants of personal eccentricities clink and rattle as some float in and others assume their seats at the table.

Aweng Chuol is ascending.

‍

Parisian label in the making, Zomer proves that good things still come to those who wait—and friendships really can last forever.

‍

Little blue boxes have always accented Lauren Santo Domingo’s life. But as she settles into her new role at Tiffany & Co., she’s gathered new memories from its storied archives.

‍

Maty Fall Diba and Ajok Daing remind us what true friendship looks like.

Lafayette 148’s new capsule collection with Claire Khodara and Grace Fuller Marroquin commemorates the life and legacy of their artist mother, Martha Madigan.

Almost six decades after its original release, a French New Wave classic is recreated in a new short film for Chanel. Directed by Inez van Lamsweerde and Vinoodh Matadin, the tribute brings together Penélope Cruz and Brad Pitt on screen for the very first time.

In its first foray outside of Paris, the luxury fashion house opens its first flagship store on New Bond Street. The three-story boutique blends fine art and haute couture.