Art

A new body of work by photographer Jesse Gouveia revisits childhood memories of fort-building while considering the poignant nature of time’s passage.

 In Los Angeles, William Eggleston presents an exhibition of dye-transfer prints––the last of their kind.

In her West Coast debut, Sabine Moritz enters new territory with works that include human forms, yet at the heart of it all is her love for nature.

Samara Golden’s body of water made of hand-made objects is both claustrophobic and expansive. At the Nasher Sculpture Center in Dallas, Texas, it begs to be seen, and sat with, in person.

Ada Friedman marches into mysterious territories, guided by the words of the late poet Helen Adam.

A quiet yet entrancing new suite of paintings from Francesco Clemente debuts at Lévy Gorvy Dayan, pulling from his extensive travels and inner reflections alike.

Isabelle Albuquerque is expanding, making room for flowers and other forms to grow from her self-referential practice. For her current two-person show with the late artist Robert Therrien’s estate, her sculptures become charged with a new energy.

Clementine Keith-Roach explores motherhood and collective identity through modern ruins that blend personal and historical forms into fragile yet resilient vessels.

At art fair’s 19th edition, Osman Can Yerebakan explores the highlights amidst the city’s art world fixtures and international collectors.

With its sprawling inaugural group show featuring every artist on its roster, Marian Goodman Gallery’s newly minted TriBeCa flagship gives a taste of what’s to come.

The world is spinning out of control, and Meriem Bennani is excavating the center, fingers on the pulse as she digs beneath its surface. But what happens when she extends her exacting, witty, and nuanced perspective beyond the collective present? Orian Barki finds out.

In Cincinnati, Ohio, Chip Thomas’ mural of William Rankins Jr. captures the heart and soul of a community being pushed out by development.

The world is burning, and Arthur Jafa is taking the temperature.

This month, Gregory Crewdson brings his cinematic depictions of small-town America to Louis Vuitton’s exhibition space in Munich.

No stranger to the art and artifice of performance, Nora Turato stays wary of the authenticity trap. Her audience would be wise to do the same.

A savory Chanel dupe catapulted Chloe Wise into virality when it ended up on the red carpet of the luxury label’s very real event. A decade later, the irony may be quieter, but the appeal of luscious foodstuffs in inedible manifestations has taken over.

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For its American debut, irreverent Italian art collective Canemorto is staging a faux-fish market complete with drawings and paintings that come fried, frozen, and rolled up in jars of oil.

Larry Stanton compulsively sketched the people and world he belonged to—that of New York City’s gay community in the ‘70s and ‘80s. Now in Brescia, Italy, Apalazzo Gallery presents the late artist’s first-ever retrospective, four decades after his untimely death in 1984.

At a refurbished photo studio on New York’s Canal Street, three different artists use their respective styles to disrupt concepts of normalcy.

In his new suite of paintings, Kon Trubkovich looks to the much-loved Ophelia archetype—and discovers something new about himself in contemplating her reflection.

Steve McQueen reveals a deeply personal narrative harkening to his paternal heritage in a new video at Dia Chelsea. Upstate of the city at Dia Beacon, the artist breaks film down into its most fundamental constituents.

Jeffrey Gibson debuts art installations across New York City during Climate Week NYC and Creative Time Summit 2024.

Anne Buckwalter's intricate and lived-in interiors offer an intimate window into everyday queer life. At Rebecca Camacho Presents in San Francisco, the artist's solo show and first poetry book hone in on the details.

At Anonymous Gallery in New York, Kameelah Janan Rasheed’s cryptographic works illustrate the complicated process of sense-making.